Austria, Belgium, Croatia, Czechia, France, Germany, Hungary, Ireland, Italy, Kazakhstan, Kyrgyzstan, Morocco, Mongolia, Netherlands, Pakistan, Poland, Portugal, Qatar, Saudi Arabia, Slovakia, South Korea, Spain, Syria, UAE - Falconry, a living human heritage

"Originally a method of obtaining food, the practice of falconry has evolved over time to be more associated with nature conservation, cultural heritage and social engagement within and amongst communities. Following their own set of traditions and ethical principles, falconers train, fly and breed birds of prey (which includes besides falcons, birds such as eagles and hawks) developing a bond with them and becoming their main source of protection. The practice, present in many countries around the world, may vary regarding certain aspects, for example the type of equipment used but the methods remain similar. Falconers regard themselves as a group and may travel weeks at a time engaging in the practice, while in the evenings recounting stories of the day together. They consider falconry as providing a connection to the past, particularly for communities for which the practice is one of their few remaining links with their natural environment and traditional culture. Knowledge and skills are transmitted in an intergenerational manner within families by formal mentoring, apprenticeship or training in clubs and schools. In some countries, a national examination must be passed in order to become a falconer. Field meets and festivals provide opportunities for communities to share knowledge, raise awareness and promote diversity."

Source: UNESCO Intangible Cultural Heritage

Syria - Al-Qudoud al-Halabiya

Al-Qudoud al-Halabiya is a form of traditional music from Aleppo with a fixed melody. Sung for religious and entertainment purposes, the lyrics vary according to the type of event. Well-versed singers can improvise lyrics according to what is happening around them. They are known to use deep vocals and to reach a peak while holding a long note or repeating a phrase, sending their audiences into what is referred to as tarab, or exultation. Communities describe the emotional state they experience when performers reach this peak as ‘being drunk without drinking’. The audience plays a key role in inspiring the performer’s creativity. They traditionally dance to the music by holding their arms out and moving the upper body. Qudoud music is accompanied by a musical ensemble. Aleppans continue to perform the music in the alleyways and souks of the old city. Influenced by social changes while retaining its traditional elements, qudoud has also spread to other parts of the city. Lyrics of a non-religious nature have been added, telling stories of life, love, tradition and honour, sometimes taken from popular poetry. Qudoud is a vital part of Aleppan culture and is viewed as a source of resilience, particularly during war. Knowledge is transmitted informally between mentors and youth, and formally through school curricula, media broadcasts and programmes.