Jordan - Cultural space of the Bedu in Petra and Wadi Rum

The Bedu are settled and nomadic communities living in the southern part of Jordan, particularly near Petra and Wadi Rum, within a region of semi-arid highlands and deserts. These conditions have allowed for the development and existence in complementary relationship of both types of communities. Several Bedu tribes, namely the Bdul, the Ammarin and the Sa’idiyyin, continue to use the Nabatean water-collecting cisterns and caves near Petra. The Bedu communities inhabiting this area keep alive a traditional pastoral culture and related skills. The Bedu of Petra and Wadi Rum have preserved specific knowledge related to the flora and fauna of the area, traditional medicine, camel husbandry, tent-making craftsmanship, and tracking and climbing skills. The Bedu have developed an extensive knowledge of their environment and complex moral and social code, all of which is expressed and transmitted orally. Their rich mythology is manifested in various forms of oral expression, comprising poetry, folktales and songs that are closely linked to particular places and the history of these communities. Over the last fifty years, more and more Bedu groups have settled down. The provision of education, housing, health care and sanitation has made a sedentary existence more attractive for many of them, leading, however, to the erosion of skills developed by the Bedu over generations. The increase of desert tourism and its demand for “authentic Bedu culture” should not be allowed to further degrade the intangible heritage of the Bedu in Petra and Wadi Rum.

Saudi Arabia, Algeria, Bahrain, Egypt, Iraq, Jordan, Kuwait, Lebanon, Mauritania, Morocco, Oman, Palestine, Sudan, Tunisia, United Arab Emirates, Yemen - Arabic calligraphy: knowledge, skills and practices

Arabic calligraphy is the artistic practice of handwriting Arabic script in a fluid manner to convey harmony, grace and beauty. The practice, which can be passed down through formal and informal education, uses the twenty-eight letters of the Arabic alphabet, written in cursive, from right to left. Originally intended to make writing clear and legible, it gradually became an Islamic Arab art for traditional and modern works. The fluidity of Arabic script offers infinite possibilities, even within a single word, as letters can be stretched and transformed in numerous ways to create different motifs. Traditional techniques use natural materials, such as reeds and bamboo stems for the qalam, or writing instrument. A mixture of honey, black soot and saffron is used for the ink, and the paper is handmade and treated with starch, egg white and alum. Modern calligraphy commonly uses markers and synthetic paint, and spray paint is used for calligraffiti on walls, signs and buildings. Artisans and designers also use Arabic calligraphy for artistic enhancement, such as for marble and wood carving, embroidery and metal etching. Arabic calligraphy is widespread in Arab and non-Arab countries and is practised by men and women of all ages. Skills are transmitted informally or through formal schools or apprenticeships.